TICKLED

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

TICKLED
dir David Farrier & Dylan Reeve

TICKLING: NOT A LAUGHING MATTER

I went along to the gorgeous Civic Theatre in Auckland to see the New Zealand premier of Tickled with mixed expectations. I hadn't seen much of David Farriers journalism in the past, although I do remember him being pretty unique and finishing reasonably out there news segments (out there for mainstream news anyway) with his trademark "David Farrier - Three News" which went up in a humerous vocal crescendo (for mainstream news anyway). I knew a little bit about the nature of Tickled. I had heard or possibly read brief bits of information over the last couple of years and I understood that when Farrier and co-director Reeve stumbled across an advertisement for a professional tickling event, they expressed interest, interest which was met with untoward homophobic hostility, aggressive hate mail and an unnecessarily intense dialogue between the then TV3 reporter and the head of the event.

Tickled is a classic in it's documentary format, in that a good documentary is one that starts out with pretty straight forward intentions (eg - what is professional tickling and why do people do it?) and stumbles across something much more sinister and interesting for it's audience. Tickled starts simply enough - a couple of Kiwi blokes want to know what the hell professional tickling is and why it's organisers are so aggressive and homophobic when sent a pretty standard email of interest by a couple of pretty casual journalists. It then explodes into a dark story about blackmail, fraud, abuse, violence and anger - all presented with Farriers extremely accessible and appealing charm and wit. In true Kiwi style - no matter how many threats our two young journalistic heroes are receiving, they always manage to weave in a sense of humour, a sense of awkwardness and a sense of "what the fuck are we doing" that makes the journey so interesting and unique. Even when the story feels like it's getting a bit heavy, that classic Kiwi charm is utilised and what we end up with is an extremely intriguing black comedy documentary.

I don't want to go into the details of the story too much because you should watch it and enjoy the journey yourself. However I will say that the level of commitment that these two documentarians give to this project is absolutely the reason why it succeeds. Even when they were receiving threats from apparent much higher powers (US Attorneys) and their producers are even telling them to let it go - they keep following that yellow brick road until they uncover unexpectedly dark and fucked up situations that absolutely need to be shared. The difference between great journalism and good journalism is that good journalism presents the facts that are easy to find and great journalism finds a good story that could be great and doesn't sleep until the public get to experience the knowledge of the whole truth and nothing but the truth (the truth being the one sided opinion presented by said documentary). If you don't leave a documentary being 100% on the side of the people who made the film then the doco hasn't done it's job. These lads do their job.

Filming wise - Dominic Fryer does an exceptional job of making sure that even when guerrilla filmmaking tactics are undertaken we don't ever lose the cinematic quality and beauty required to make this film stand out. The music by Rodi Kirkcaldy & Florian Zwietnig is superb - always lets us know what we should be feeling at any given time and always makes sure we know that things are going to get a little more ominous - however hilarious.

Finally what makes Tickled such a success is David Farrier himself. I'm sure he hears this constantly - but he IS New Zealand's very own Louis Theroux, and this is absolutely a compliment (as someone who has a cat named Louis Theroux I like to think I'm an advocate for all things Theroux). It doesn't help that they look similar, but the ability that these two extremely talented gentleman share in getting people to talk about something that they don't necessarily want to talk about let alone on camera, is what make both these men two of the best in their field.

Tickled is an extraordinary journey. Beautifully paced, wonderfully hilarious and extremely intriguing. I hope Farrier continues to pave the way for New Zealand journalists who have gotten so caught up in selling a click bait headline that they have forgotten just how interesting the truth actually is.

4 out of 5. 

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THE INVITATION

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

THE INVITATION
dir Karyn Kusama

A DRAMATIC THRILLER THAT LEAVES YOU WITH AN ONGOING SENSE OF UNEASE

Quite often I end up with a whole heap of films in my 'to watch list' that I have stumbled across on IMDB at some point and convinced myself that it sounded watchable. Eventually I end up watching, or attempting to watch these films, often asking myself "why did I think this would be good?" and turning it off 35 minutes in. However, occasionally I end up with a rare gem of a film, something that I haven't even heard of prior to watching, that not only exceeds my expectations, but leaves me with a sense of thought provoking fear and intrigue well after the final credits have rolled. Such a film is The Invitation.

The film starts with a couple, Will & Kira, on their way to a dinner party that they seem very reluctant to attend. We very quickly learn that this is a dinner party hosted by Wills ex - Eden and her new beau. What occurs is the worlds most awkward reunion of old friends who are getting together for the first time since Will & Edens son tragically passed away two years earlier. The evening is awkward, the wine flows, doors are locked, accusations are thrown around and grief is clearly a driving force behind a lot, if not all of the anxieties present at the dinner party. Eden and her new man are part of a cult that helps you to deal with grief and set you free. We watch an awkward video of people dying, we partake in an weird spin of the game 'have you ever' and we continue to feel a sense of dread rise in our stomachs as we begin to questions every characters motives, especially those of protagonist.

Director Karyn Kusama (Jennifers Body, Girlfight) has crafted nothing short of a thrilling masterpiece here. Despite being a fairly unknown director who's only credits are nothing to shake a stick at unless what you are trying to shake a stick at is something you hope to kill, I didn't know what to expect from her. The Invitation is a masterfully directed piece of cinema. Part drama, part thriller, all great. An absolutely sensational cast of more or less unknown actors provide a convincing, emotional and at times harrowing journey through friendship, loss and acceptance of the things we cannot change.

Whenever the films feels like it is going to walk the path of the predictable, it turns in a way that leaves a fresh lump in our throats. The films eventual climax is one that is so beautifully paved that although the ending is a suprise, when we finally arrive at the ending, the jigsaw puzzle makes sense and the film achieves a sense of accomplishment that resonates with us as audience members even after the film has ended and the lights are back on.

The musical score provided by Theodore Shapiro who's previous credits are easily the most impressive of nearly everyone involved in the film, is affecting, poignant and foreboding. Whilst never overplayed it leads our emotions and perceptions of the film perfectly down the exact road that the director intends and never gives us a full moment of comfort within 1 hour 40 run time.

Usually when we watch an unheard of thriller we end up feeling disappointed, frustrated and annoyed. Sometimes we stumble across a good script ruined by crap actors or a bad director butchering potentially good performers. The Invitation manages to take the potential for disappointment and craft something much, much more worthy of our time and discussion.

4 out of 5. 

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