THE LAST JEDI

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

THE LAST JEDI

written & directed by RIAN JOHNSON

SPOILER FREE REVIEW.

Angry fans. Delighted critics. Online arguments. Opinions presented as facts. Ah the internet. Home of the movie goers free expression. Verbal fights to the death. The Last Jedi, the latest installment in the Star Wars Universe, seems to be the most contentious film in the series to date. Having received huge critical praise but also backlash from the loudest fans has left it as one of the most dividing films in the series.

Cinematically the film is an absolute delight. Combining all the aesthetics we love from the original trilogy, combining the humour with  the space opera and the drama, the characters, new and old, driving forward a story that seems huge in scope but is, at it's core, as simple as it has always been. Goodies vs Baddies. Dark vs Light. All the elements of strong storytelling are here. The heroes journey is ever present. The thing that stood out to me after my first viewing was how there was always so much going on. Despite being the longest film in the Saga to date - the film never  gets bogged down or lacks in pacing - I was never not invested. I did leave the first viewing feeling slightly overwhelmed at everything that was thrown at me. So many questions had been made and left unanswered. In fact it was hard for me to tell how much I enjoyed after the first viewing.

Second time around I was able to focus more - less like an overwhelmed Star Wars fan and more with a critical eye. Let me make myself absolutely clear. In no way is The Last Jedi a perfect film. It is flawed with frustrating gimmicks, Disney moments, cheese and more cheese and even a scene that the film could have done without. But I think it's also important that we remember that these have ALWAYS been part of Star Wars. The one liners, the silly characters, the odd moments that seem to be just for the kids (and inevitably the merchandise). This is continuing in the tradition that Lucas himself set up when he made A New Hope. They haven't changed the formula. Which is why I find it so bizarre how people are so cross at this film. It is the closest a film has come to capturing the feel of the original trilogy we have had since the original trilogy itself. It manages to drive the franchise forward for a new era whilst 100% honouring where it came from. Nostalgia is in full force but so is a focus on the future of the franchise and not just where it's come from.

The story is fun. It delves into the force and approaches it with fresh eyes. Johnson is a prolific storyteller. He raises questions, hints at answers but he also doesn't spell everything out to us. Even questions we had going into the film weren't necessarily answered which leaves a desire in us for more. More Star Wars. More answers. The point of the story teller is to entertain, to enthrall, to create a universe we are invested in, characters we care about. Lucas set this up brilliantly and this new trilogy is following in it's footsteps. Add to this some exceptional set pieces, some brilliant battles and classic Star Wars characterisation and you have what I believe to be an extremely fitting addition to the universe. Even moments when you think you have figured out exactly what is going to happen - the film twists in a new direction redefining what could be cliche moments as something unexpected.

So why the backlash from fans? I can't speak on behalf of all of them but I would like to suggest a couple of things - it is not ALL fans who dislike the film - just the loudest ones. It's low fan score on Rotten Tomatoes is because those who didn't get precisely what they wanted are the only ones who care enough to down vote it's online score. With a 93% critic score it has an overwhelming amount of support from those who's job it is to scrutinise the film . Don't believe the naysayers. But let go of what you want the film to answer. Just because you don't necessarily get the answers you want or the exact story-line you preconceived in your head doesn't mean you should view the film with such hostility that you convince yourself not to enjoy it. It's not a documentary people. It's a ridiculous space film. And it's bloody great.


4 out of 5  

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DUNKIRK

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

DUNKIRK

written & directed by CHRISTOPHER NOLAN

AT WAR WITH ONESELF 

Christopher Nolan has, over the past decade or so, solidified his role as one of our generations greatest mainstream directors combining superb camera work, spectacular set pieces, unique stories and the ability to extract the best performance from his actors.

I have never been a fan of war films. I find they ooze of patriotism, paint one sided stories of history and are usually used to justify war in reality. I find them overly long, overly sympathetic to the "heroes" and overly similar. It is a genre of films I have little interest in. However I am a massive Nolan fanboy and I know that the sheer visual scale of his films is best enjoyed at the cinema rather than at home so I quickly got myself along to the cinema to see Dunkirk.

Thematically, Dunkirk doesn't offer anything that hasn't been offered in every other war film. The triumph and resilience of the human spirit. The damage war does to soldiers and civilians alike. The magnitude of the loss. The desensitising nature of violence and death. No new ideas or themes are presented in Dunkirk. The narrative isn't overly complex or insightful although the exposition of the narrative is, in true Nolan fashion, unique and refreshing and continues to show us how much the director enjoys playing with non-linear storytelling. The film soars visually as Nolan manages to create both a sense of claustrophobia and a sense of terrifying hugeness to the whole thing through his genius camera work. It is very much a visual triumph.

I would like to say at this point that I don't think Dunkirk is a masterpiece nor do I think it is the directors best work. Aspects of the film are breathtakingly sensational and are a hint at what could have been a masterpiece if all aspects of the film were equally strong. However as far as the story itself goes - there is little. The characters are grim and devoid of any real individuality and whilst this may serve to demonstrate the reality of war and the way human life very quickly becomes nothing more than statistics, it made it hard for me to connect with anyone in the film and ultimately this separation stopped me from feeling anything overly emotional in regards to what I was witnessing. So whilst I was able to marvel at the sheer beauty of what I was looking at - the lack of emotional connection between the characters and the audience left me feeling more disengaged than I would have liked to.

As far as pacing goes - my heart did race for the majority of the film. I did feel on edge and it was filled with adrenaline inducing tension. This is all because the true genius of Dunkirk is in it's soundtrack. Since dialogue is extremely sparse - Nolan relies on Hans Zimmer to drive the story musically. Zimmer is the true genius behind Dunkirk and if any aspect of the film earns the term 'masterpiece' it is certainly the composition of the soundtrack. From the second the film starts Zimmer's (arguably best work) takes the audience on a journey of nerves. The pace is entirely controlled by the soundtrack and for me, this is what makes Dunkirk stand out from just being one of many competent films in the genre.

Overall, Dunkirk is very good. Visually, it is exceptional and musically it is a masterpiece. However the lack of character and plainness of the narrative (structure aside) leaves the film on the edge of being something much, much better and whilst this may serve the overall message, it left this movie goer feeling three quarters full and not completely satisfied.

Must see at the cinema.

4 out of 5  

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13 Reasons Why - My Thoughts

13 Reasons Why - My Thoughts

“Sir have you seen 13 Reasons Why?”

“No, I haven’t even heard of it. Is it good?”

“Yes. Really, really good. You must watch it so we can talk about it.”

This is the conversation I had with one of my students which first made me aware of the show 13 Reasons Why – a Netflix Original which has been the source of much controversy, especially in the education sector. As it happened I was on the look for a new show to binge watch and since it offered an opportunity to discuss some important themes with a passionate student of mine I sat down and watched it with my wife over the course of about a week.

During the week I had avoided most online correspondence regarding the show as I didn’t want to ruin the experience but I knew a few things (which aren’t really spoilers).

The TV show was going to depict a rape scene and a suicide scene. My opinions when it comes to art and its limitations have always been that art has no limitations – it’s job is to show what the creators think it should show. Censorship is a bad thing and shouldn’t have a place in the artistic world. However as anyone who has read my thoughts on the Jim Jeffries gig I walked out of will know – that just because you have a right to say and show what you want as an artist, I don’t believe this means you don’t have a social responsibility to be aware of, consider and understand the implications of the decisions you make as an artist. For example, if you are the aforementioned comedian and decide to make rape jokes for the sake of making rape jokes you shouldn’t be above the scrutiny and public reaction to your jokes. After all I think it’s hugely important that we remember that freedom of speech works both ways. Just because you are an artist doesn’t mean that you are above social responsibility.

So it was with this (not necessarily agreed with) mind-set that I settled down to watch this show. I was hooked pretty quickly. An interesting premise, excellent young actors, exceptional older actors and a topic that is considered so taboo that people are quite frankly terrified of it being the subject in which any artistic medium brings to light.

Since this isn’t a review I don’t want to spend time discussing the show itself in terms of quality but more discuss the critism in which it received. Needless to say I overall enjoyed the show and found it engrossing throughout.

The main controversy that 13 Reasons Why has received is the fact that it shows, in reasonably graphic detail, both rape and suicide. This is done very bluntly and visually and has caused the show to be deemed as irresponsible and some people have even gone as far to suggest it glorifies suicide. I had seen facebook posts that colleagues of mine had shared demonising the shows portrayal of suicide and many articles simply saying “don’t let anyone watch this show.”

To make something super clear – as a teenager and someone in my early 20s was someone who suffered from severe depression, was victim to self-harm and had personally dealt with the thought processes and actions around suicide. So I’ll admit I had a vested interest in the show but also an understanding of it’s content. I also work a high school so my opinion on working with young people is rooted in reality.

There are very few moments when I have watched a show (especially because I am a massive fan of horror) where I have looked away from the screen. When Hannah cuts her wrists I looked away. I felt physically ill. I broke down when her parents entered and found her body. I hurt for days afterwards. All I wanted to do was talk about it. I wanted to go back in time and stop Hannah from killing herself. I wanted to go back to high school and be nicer to people. I hurt. Big time. Not once did I feel that Hannah was justified in her abhorrent decision. Not once did I think “that’ll show the bullies.” Not once did I feel anything other than utter horror and desperation at what I had just seen before me. It left a lasting affect – a need for conversation.

As I said a lot of the criticism the show has received is that it glamorises suicide. As it shows Hannah getting her revenge on those who wrong her and blames them for her suicide. I understand this criticism and see how that can be perceived but it is not what I took away from the show. The most dangerous thing about 13 Reasons Why is the fact that schools are not only banning students from watching it but they are banning students from talking about it on the school campus. Now THIS is dangerous. Firstly, when you ban students from watching something – all you are doing is making it more likely that they watch it. Secondly, by banning conversation around the controversial you are ensuring that the stigma around said controversy just becomes an even bigger thing, even more of a problem.

We are so quick to ban things that make us uncomfortable. We are so quick to be scared of things that expose us to the frightening realities of issues like depression, self harm and bullying. Why do we protect ourselves from talking about things that we are surrounded by on a day to day basis? Our fear around talking about depression, suicide and mental health is the reason that shows like 13 Reasons Why are important. You don’t have to agree with it. You don’t have to like it. You certainly don’t have to approve of the way the story is told or whether or not you approve of the graphic nature of the show. But we as society need to reflect on why we are so scared to talk about the themes and issues that 13 Reasons Why dealt with. Which is why, for me, 13 Reasons Why is a success.

So instead of telling your kids, or students of friends of for watching the show, why not have a chat to them about what they thought about the show? How it made them feel? You never know – it might be a conversation they really need to have.

Agree? Disagree? Let me know in the comments. Don't forget to subscribe. 

RISING STARS (to see) 2017 NZ COMEDY FEST

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

2017 NEW ZEALAND INTERNATIONAL COMEDY FESTIVAL

Check out these fresh comics smashing one hour shows this year...

I'd be stupid if I didn't use my blog to sell my own show. So here is a link for my show. That's all I'm going to say about it. Please come. 

https://www.comedyfestival.co.nz/find-a-show/anxious-to-meet-you/

LOUISE BEUVINK - Ladylike: A Modern Guide To Etiquette 

Louise has seen herself rise through the NZ Comedy ranks at a rapid pace over the last few years. Having developed an honest style, strong social commentary and superb stage craft, Louise continues to prove herself as one of NZs most relevant, sarcastic and impressive comics. Her first solo show performed in 2016 and was an enjoyable step into longer form comedy and this year her new show Ladylike: A Modern Guide to Etiquette promises to be as hilarious as it is sarcastic and original. 

OFFICIAL LINK 

https://www.comedyfestival.co.nz/find-a-show/ladylike-a-modern-guide-to-etiquette/

BRENDAN KELLY - Caveman

Brendan is an extremely dry comic with exceptionally well written gags. His storytelling ability - whilst completely inane and at times fantastical, is so engrossing, well written and performed, that it is impossible not to be drawn into his hilarious world. Having only been performing stand up for just over 3 years, he has wasted no time in cementing his position as a professional comic. 

OFFICIAL LINK

https://www.comedyfestival.co.nz/find-a-show/caveman/

LUKE CALLAGHAN - Born In The US - Eh?

Luke is an American - but don't hold that against him - he's fucking hilarious. Having performed with Luke many a time in my early days as a comic, I can personally vouch for the level of his hilariousness. He's dry - but not so dry that you crave a glass of water. His perceptions and interpretations of Kiwi life through the eyes of an America are both interesting and hilarious and he is certainly someone you don't want to miss this year. 

OFFICIAL LINK

https://www.comedyfestival.co.nz/find-a-show/born-in-the-us-eh/

TIM MULLER - Laugh Now, Google Later

This man is dry. This man is intelligent. This man is hilarious. Tim combines intelligent wordplay with deadpan dry humour to provide you with reasons to laugh that you might not even understand until you think about it properly later, or as the title suggests, when you google it. If you want something a bit different that still results in you pissing yourself with laughter, then Muller is the way to go. 

OFFICIAL LINK

https://www.comedyfestival.co.nz/find-a-show/laugh-now-google-later/

Don't forget to subscribe if you like what you read here. Or publicly argue with me if you don't. Seriously tell me what you think. I'm so lonely. 

LA LA LAND

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

LA LA LAND

written & directed by Damien Chazelle

SUPRISED

I probably never would have watched La La Land had I not wanted to review it for my blog. There are so many films to watch and only so much time in a week that a musical is usually last on my film watching agenda. However when more and more people started asking me "have you seen La La Land" I became intrigued. This intrigue was turned to straight up interest when people had such strong reactions to the film. Either people loved it or they hated it. There was no middle ground. A friend of mine even went as far as saying "it's one of the worst films I have ever sat through." Then when it cleaned out the Oscar nominations I decided I just had to see it to see what the hell everyone was so bloody polarised about.

I sat down with my wife and it began. After the first song I said something along the lines of "if the whole movie is like this can we stop watching it?" I had pretty much already decided it wasn't my cup of tea and that I was going to be on the side of viewers who didn't understand the hype. Which is, to be honest, how I felt about it before we had even seen the first song. But then I was suprised.

I enjoyed the second song. Then the third. The fourth. All of them. Whilst the singing and dancing of the two leads (Ryan Gosling and Emma Stone) wasn't always the most life changingly amazing  dancing and singing - there was something about that that for me added to the appeal and their performances and chemistry between the songs was exceptional. I couldn't believe it was happening. I was enjoying La La Land. In fact - I was loving it.

Whilst parts of it seemed to pay a homage to films of the past, it also beautifully intertwined the elements of a musical into the modern day for new audiences. The direction took inspiration from generations of cinema to provide a fluid, beautiful and at times eccentric journey through the struggles of a creative with dreams of fame.

Whilst the story was nothing overly original I thought the elements that were used to tell the story provided a unique and fresh take on an old story. It didn't end with a suggestion that we can always have everything we want if we "set our minds to it" - I didn't find the film patronising - which is often the case with films about success in the arts.

Overall I was left pretty satisfied by the film. The choice to cast actors rather than strictly singers/dancers in the lead roles played into the films success more than not as the strength of the performances and the emotion that was portrayed, for me, outdid any need for insanely ridiculous choreography. It made the performers more real and believable. I was actually invested in them both, their relationship and their journey. I wanted to see how things worked out for them.

At the end of it all the thing I am the most confused about is why the film was so dividing. Sure it's not everyone's cup of tea - hell I'm surpised it was mine -  but I was expecting something that was so clearly divisive of different audiences either through it's direction or it's storytelling which I really didn't see. Why did everyone have such polarising opinions about it?

More discussion is necessary I'm sure.

Well worth the watch.

4 out of 5  

Don't forget to subscribe if you like what you read here. Or publicly argue with me if you don't. Seriously tell me what you think. I'm so lonely. 

DON'T THINK TWICE

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

DON'T THINK TWICE

written & directed by Mike Birbiglia 

HILARIOUS. TOUCHING. REAL.

"Let's watch a brainless comedy" I said to my wife on a lazy, rainy Saturday night on the couch. So I scrolled through some online trailers and thought that Don't Think Twice certainly looked enjoyable and brainless enough. I was only half right. What unfolded was some of the most grounded, believable and hilariously touching comedy that I have seen in quite a while.

The story follows a group of improv artists who perform a late night show to reasonable size audience on a weekly basis. They all have aspirations to make it BIG by being scouted to perform or write for 'This Weekend Live' (AKA Saturday Night Live). The story follows these performers as they deal with the reality of some of them being granted with the opportunity to move up in their careers while the rest of them just watch from the sidelines - no less deserving of the success and thus unable to escape the bitterness and jealousy that naturally arises even when they are happy for the success of others.

The thing that makes this film soar so well is the brilliance of the cast. Mike Birbiglia has assembled an extremely talented group of performers (himself included) who carry the comedy and the reality and the drama with completely honesty. Special mention to Gillian Jacobs and Keegan-Michael Key as the members of the group who are also dealing with dating one another on top of all the other situations that struggling to be an artist in your 30s brings about.

Perhaps as a comedian and performer myself I found the story particularly poignant. It never glamorises the fame or the success nor does it suggest that one path is necessarily better than the others. What it does do is show a very honest look into the struggles of artists in a world where there are very few places for many, many talents. It portrays the difficulties of watching those around you gain the success that you too deserve but also the difficulties on being the ones who have the success when you are no more deserving than your peers.

Also it's hilarious. But it isn't brainless. It's beautiful.

4 out of 5  

Don't forget to subscribe if you like what you read here. Or publicly argue with me if you don't. Seriously tell me what you think. I'm so lonely. 

YEAR IN REVIEW

REVIEWS NO-ONE ASKED FOR
by Ashton Brown

THE YEAR IN REVIEW


Ah the final day of 2016. It's been a pretty crazy year with celebrity deaths, American Presidency and most importantly - film and television. I was going to do a 'top 10' of films from the year but instead I am going to recap some memorable films from a few genres that I recommend you see if you haven't already and also reveal my film of the year. A couple of these film came out last year - but this is more of a reflection of recent films I happened to have watched this year. Please note a lot of these films have full length reviews and I have posted these links at the bottom of this post.

ROM-COM

I'm a sucker for a funny romance film. I like the feels and I like the romance. Bridget Jones's Baby turned out to be suprisingly more watchable than I expected. Despite not featuring classic douchebag Daniel Cleaver (Hugh Grant) in a starring role it still managed to not be the steaming pile of crap I predicted. I also thoroughly enjoyed Man Up with Simon Pegg and Lake Bell and honourable mention has to go to People Places Things with New Zealands own Jemaine Clement - a beautifully elegant story about a struggling single dad raising two daughters and arguing with his ex wife. My biggest suprise this year was the terribly named Mr Right with Anna Kendrick and the extremely underrated Sam Rockwell - don't let the awful title fool you it is a brilliant and hilarious black comedy, action romance. However my rom-com of the year has to go to Sleeping With Other People staring Jason Sudeikis and the perfect Alison Brie. Despite the typical set up it had a grounded approach to storytelling and the chemistry between the leads was my pick for on screen chemistry for the year. Highly recommend.

DOCUMENTARY

I watched a HUGE amount of documentaries this year. Not strictly 2016 releases but I binged watched an amazing variety of documentaries. The first one that stood out for me this year was For The Bible Tells Me So, a doco that deals with the issues that arise between Christianity and Homosexuality. The thing that really made this stand out is the fact that rather than it being about Christians saying how the bible condemns homosexuality -it was Christians who believed that the bible doesn't necessarily condemn homosexuality and that love and acceptance is the bigger message that so many Christians are missing in order to condemn the love between two same sex partners. It was thoroughly fascinating to hear priests and deacons talk about having homosexual children and how they have changed their opinions and teachings to be more accepting. For those looking to fulfill their Making A Murderer desires then I highly recommend Murder On A Sunday Morning. Similar to the essential and captivating Making A Murderer, MOASM follows the defense lawyers of a 15 year old African American boy who is accused of shooting a white tourist in the face. What follows is a thoroughly intriguing story of bad police work, fascinating footage of the court case and a heart stopping ending. Special mention also has to go to The Jinx - a mini series that follows accused and acquitted murder Robert Durst - more twists and turns than you can shake a stick and but not for the faint hearted. My runner up for the year of docos has to be the excellent Tickled by Kiwis David Farrier and Dylan Reeve. In true Kiwi style, Farrier delves into the awkwardly dark and sexual world of online tickling videos. Well worth the watch.

My pick for documentary of the year has to go to the light hearted but darkly sinister My Scientology Movie by the always exceptional Louis Theroux. When he sets out to make a documentary on Scientology - Louis soon learns that no-one is going to speak to him from the religion. So he goes about to recreate a Scientology film of his own, hiring actors to play the members of the church, recreating accounts told by ex members. With his perfect mix of deadpan humour and ballsy face to face confrontations - this is my pick for documentary of the year.

OSCAR BAIT

I was going to call this category drama - but some of them are as comedic as they are dramatic so this is my category for the more mainstream, celebrity soaked films. I have three strong picks that I watched this year. Firstly I suprisingly loved War Dogs. It's not one of my picks nor am I going to go on about it - but it's good. It's typical but Jonah Hill continues to show us that he is an A Grade actor.

My first pick for this category is Demolition with Jake Gyllenhaal and Naomi Watts. A beautifully told and performed story about tragedy, grief and the unlikely ways in which we find the relationships that end up helping us put our lives back together. Only in the past few years I have fully appreciated Gyllenhalls ability. His performance in Demolition is nuanced and provides the audience with just the right amount of pathos. Well worth checking out.

Secondly I have to recommend (a bit slow on this one I know) the film Room. Based on the novel by the same name by Emma Donoghue, Room is a small cast film that follows a mother (played with pitch perfect accuracy by Brie Larson) and her son who are captives in a room and have been for as long as the child has been alive. A gorgeously told and heartbreaking story about the bond between a mother and child and the desire to always fight to make things better for the ones you love.

And my pick for this category has to go to the The Big Short. This comes as little suprise due to it's many Oscar Nominations earlier in the year. A superb ensemble cast, a hilarious and intriguing script and an edgy and unique directing style left The Big Short as one of my films of the year. I think the reason that this suprised me so much is because I usually can't stand films about financial related things let alone American financial things. But the way Adam McKay (Anchorman, Talladega Nights - wtf?!) bought this exceptional cast together to tell the story made it a thoroughly entertaining to watch and explained financial terms in a way that were both fathomable and entertaining. Steve Carell continues to amaze - Christian Bale continues to be perfect. Highly, highly recommend.

HORROR/THRILLER

I am reluctant to lump these two categories together. Thrillers are usually higher budget, better written and less based on jump scares. However this year my top picks sort of transcends both genres and it's my blog so you can't tell me what to do mum. I watched so much horror this year that all the crap ones sort of blend together in one b grade mess of bad downloads. There are a couple of honourable mentions however that stood out to me in particular. After being highly disappointed by the failed potential in Blair Witch and then slightly underwhelmed by the good but not great Don't Breath I was delighted to have at least seen 10 Cloverfield Lane - a film that excels in it's genre. A sort of sequel (but not really) to Cloverfield, it follows a intimate cast of three actors through an intense and claustrophobic tale where you never really quite figure it all out until it spells it out to you at the end. Fantastic, haunting and edge of your seat - with John Goodman absolutely smashing his role in the face with skill and terror.

Lights Out was also up on my list -although jump scare based I though it was chilling enough in it's material and having been such a fan of the original short that it is based on I was delighted to see the first time feature director given the opportunity to turn his brilliant short into a full length himself.

Hush proved to be a fantastic watch - a story of a deaf woman being hunted by a killer in her house in the woods. A usually formulaic setting turned into something much more terrifying due to the protagonist lacking one of her most important senses. A thrill ride from start to finish.

The Conjuring 2 was certainly enjoyable - the ghosts were fantastic but I think it's hype and excellent marketing paved way for a film that couldn't live up to the expectations laid before it. The Nun is an excellent ghoul and I am looking forward to her stand alone horror excursion in the coming years. I found the addition of the Crooked Man into the story forced and irrelevant and it lead to the film ultimately been spreading slightly too thin.

Insidious 3 did suprise me however. I thought it was terrifying. I admittedly wasn't a huge fan of the first film - finding Sinister a much more enjoyable alternative. However Insidious 2 provided a much better side to the story and Insidious 3 was so gloriously filled with effective jump scares it was hard not to enjoy it.

Overall it wasn't the year of horror I had hoped it would be. With the excellent It Follows and the likes of As Above So Below from previous years, 2016 had a lot to live up to and I don't feel it quite met the mark - despite the hype. Next year though!

MOVIE OF THE YEAR - RUNNER UP

My runner up for movie of the year (meaning movie I watched this year - I know it was released last year but I don't care.) is The Invitation. An absolutely stunning thrilling drama about grief, friendship, love, loss and the things we do to deal with said grief. You wouldn't expect the director of Jennifer's Body to have such a masterful grasp over the excellent subject material. What follows is over 90 minutes of absolutely edge of your seat storytelling with a twist and an ending that still sits with me today. If you haven't seen it then do it. A good film with relatively unknown actors like this is few and far between and this one stands out even among the higher budget films.

MOVIE OF THE YEAR

Finally my pick for film of the year that absolutely no-one asked for. Swiss Army Man. That's right. My film pick of 2016 is the film where Harry Potter plays a multi-purpose farting corpse. I know - I was reluctant as you were before I watched it. Hell I even delayed watching it for a few months rolling my eyes at the thought. However when I finally sat down to watch it what I was presented with was nothing short of a masterpiece. Swiss Army Man is a wonderfully bizarre and surreal story that can seem to pose more questions than it does offer answers. On the surface it's all a bit silly. But then again  it's not. Its a fantastically deep, moving, and thought provoking film about depression, friendship and life in general. With absolutely sensational performances from the always exceptional Paul Dano and the man who continues to suprise me with his ever increasing ability - Daniel Radcliffe, Swiss Army Man is a fascinating look into the mind of a lonely individual and the worlds we create in order to cope with the struggles we face in life. With a genius soundtrack performed largely by the actors themselves - Swiss Army Man is my movie of the year.

Well thanks everyone if you have read this and for following my film blog for it's first year. Feel free to subscribe, comment or whatever.

I will be doing my picks for tv shows one day soon - but in the mean time just do yourself a favour and watch Bojack Horseman - it's the absolute bees knees.


Full review for Tickled here:
http://reviewsbybrown.blogspot.co.nz/2016/04/tickled.html
Full review for The Invitation here:
http://reviewsbybrown.blogspot.co.nz/2016/04/the-invitation.html
Full review for Blair Witch here:
http://reviewsbybrown.blogspot.co.nz/2016/09/blair-witch.html
Full review for Don't Breathe here:
http://reviewsbybrown.blogspot.co.nz/2016/09/reviews-no-one-asked-for-by-ashton.html
Full review for 10 Cloverfield Lane here:
http://reviewsbybrown.blogspot.co.nz/2016/03/10-cloverfield-lane.html

Don't forget to subscribe if you like what you read here. Or publicly argue with me if you don't. Seriously tell me what you think. I'm so lonely.